An
Interview with Nancy Glass West
By Dr. Anil Aggrawal, The Internet Journal of Book Reviews
Nancy
Glass West writes mysteries. Her suspense novel, NINE DAYS
TO EVIL, received excellent reviews and won The Blether Gold
Award. The story features Meredith Laughlin, a graduate student
who finds herself in a deadly trap. From studying Shakespeare's
tragedies, she conceives a way to escape sociopathic villains
who want her dead.
According to Blether, the Book Review Site, "NINE DAYS TO EVIL
is a truly exceptional read, the finest example of a genre, a
book with which the reviewer can find no fault, and which will
usually have universal appeal."
When
West was age seven, she and her mother wrote poems to each other
on special occasions. In high school, she won a Pegasus Award
in the San Antonio Library contest. In college, however, she saw
journalists who were underpaid and English majors who couldn't
find jobs in writing and publishing. Being practical, she studied
General Business at the University of Texas and University of
Houston and earned a BBA.
After marrying and having two daughters, she realized she had
to write. She earned an MA/English Literature at the University
of Incarnate Word and attended the Rice University Publishing
Program. After reading numerous books on writing, she wrote magazine
articles, poetry, and the biography, JOSE VIVES-ATSARA: HIS
LIFE AND HIS ART (Shoal Creek Publishers, Austin). Vives-Atsara,
a nationally acclaimed artist who immigrated to the United States
from Spain during the Spanish Civil War, garnered praise for his
artistic ability and for his patriotism for his adopted country.
West founded Book Publishers of Texas and edited their trade journal
for seven years. Her poem, TIME TO LIE, featured
by "Theme and Variations," debuted on America's National Public
Radio. She recently completed an aging-can-be-murder mystery romp,
FOREVER FATAL, featuring a female amateur sleuth who fears
nothing but middle age. The novel, laced with humor and romance,
should be published in 2009. West plans to write a series of books
featuring this inimitable protagonist, Aggie Mundeen. Although
these books are lighter in tone, characters from NINE DAYS
TO EVIL reappear in these novels in supporting roles.
Since her suspense novel, NINE DAYS TO EVIL (Booklocker
2004) won rave reviews, we couldn't contain our desire to know
more about her. We at Anil Aggrawal's Internet Journal of Book
Reviews approached her for an online interview and she graciously
agreed. The interview was conducted for well over a month by Editor-in-Chief
Dr. Anil Aggrawal. Some excerpts...
|
Nancy Glass West

Nancy Glass West writes mysteries. Her suspense novel, NINE
DAYS TO EVIL, received excellent reviews and
won The Blether Gold Award. The story features winsome heroine
Meredith Laughlin, who discovers, from studying Shakespeare’s
tragedies, a potential escape route from the sociopathic
villains who want her dead. According to Blether, The Book
Review Site, "NINE
DAYS TO EVIL is a truly exceptional read, the
finest example of a genre, a book with which the reviewer
can find no fault, and which will usually have universal
appeal.” Featured in the Internet Journal of Book Reviews,
the novel is available through BookSense.com,
Barnes&Noble.com,
and Amazon.com.
To read reviews of West’s novels, more of her thoughts about
writing, her annotated list of excellent books for writers,
or to contact the author, visit her website: www.nancygwest.com.
We at the "Anil Aggrawal's Internet Journal of Book Reviews"
approached her for an online interview and she graciously
agreed. The interview was conducted for well over a month
by the Editor-in-Chief Dr. Anil Aggrawal. Some excerpts..
..
|
Q1.
Why do you write mysteries?
Ans. I write mysteries for the same
reason people read them. In mystery stories, evil invades someone's
ordinary world and hurls everyone into chaos; but as the story
progresses, the author reveals evil for what it is and, at least
partially, explains it. Unlike what can happen in the real world,
authors of mystery fiction expose evil to the light and restore
order. We seek structure and fairness in our lives, so although
we like stories with conflict, we want goodness and justice to
triumph.
I love creating the suspense in mysteries-thinking about ordinary
people thrust into extraordinary situations. How will they deal
with it? In NINE DAYS TO EVIL, Meredith Laughlin, propelled
into an untenable situation that gets worse and worse, finds herself
trapped in an evil snare. To save her life, she has to dredge
up courage she doesn't realize she has.
The story begins as graduate student Meredith Laughlin awakens
to a call from her physician husband. Driving to clinics in the
Texas Hill Country, he is caught by an August thunderstorm.
Meredith Laughlin, the elegant
graduate student, has been married to Dr. Conrad Laughlin for
two years.
Dr. Conrad Laughlin, her husband,
is the handsome obstetrician whose charm and knowledge might elevate
him to department chair at the San Antonio hospital.
From Page 8 of the novel: Meredith heard
brakes screech and gripped the phone, straining to hear over thundering
detonating on the roof.
"Conrad! What is it? What's happening? Can you hear me?"
The sky exploded with thunder and lightning. The crash of glass
and metal bombarded her like a slap. She dropped the phone. Recapturing
the receiver, she drew it to her ear with a quivering hand, afraid
of the clatter that would assault her. "Conrad," she shouted,
"say something. Are you all right? Conrad!" She held her breath,
straining to hear over the storm.
Nothing. The line was dead, their link severed.
Q 2. Which comes first, character or
plot?
Ans. Either can generate a story.
My husband mused about unusual occurrences at the San Antonio
medical center. Then I read a newspaper account of a bizarre incident
in California and combined the two events to create the plot for
NINE DAYS TO EVIL.
Another mystery writer, Marilyn Wallace, describes it this way:
"Something gnaws at you and refuses to go away. It's like a grain
that serves as an irritant….As a writer, you are compelled to
probe it, consider it, and expand it."
If you begin with plot, your main characters evolve from the story.
What type of person, I thought, will be most affected by this
series of events? An intelligent, trusting girl? One accustomed
to the support of her family? That's when Meredith Laughlin, age
twenty-four, elegant, and blonde, took shape in my mind as protagonist.
From Page 16: Meredith had slipped into
depending on Conrad's schedule, his patterns, and his preferences.
But her acquiescence made her restless. She became desperate to
seek new direction. Graduate school beckoned.
Conrad's frantic call obliterated her self-absorption. She could
be his only chance for survival. Her throbbing head made it difficult
to concentrate. She had to combat the tempest raging in her skull.
As the analgesic took hold, darkness oozed in from the sides of
her mind. She would quiet her own fears and find her husband.
Q 3. How do you create the other
characters?
Ans. I tried to create people who
contrast with Meredith-who, because of their different backgrounds
and problems, have varied responses to her dilemma.
Dr. Key Walker is Dr. Conrad
Laughlin's colleague, and Conrad and Meredith's friend. He is
also Conrad's competitor for department chair. Here, as he studies
Conrad's files, a nurse calls him.
From Page 48: "Dr. Walker, this is Katharine
in the OR. Our 7 a.m. case ran fast, but we have a slew of cases
to follow you. Can you come to OR 3 and start a little early?"
"I'll
be there in five minutes." He locked Conrad's files in the lower
left drawer. Too many of Conrad's patients were emotionally unstable
and had an affinity for drugs. There were notations about the
'Clinica' he'd never heard of. Were these facts related to Conrad's
crash? Key had a lot of digging to do and no time to do it. Jaw
set, he strode toward the elevators to descend to OR 3.
Detective Sam Vanderhoven
is the San Antonio Police Department detective who helps Meredith
search for Dr. Conrad Laughlin, despite the pain it causes him.
From Page 55: Sam Vanderhoven couldn't believe
he was accompanying the blonde beauty [Meredith], even on business
….He hadn't been so drawn to a woman since before he lost Katy.
He could be twenty years older than Meredith Laughlin, but she
was a knockout….He knew he was vulnerable to Southern women. Their
soft exteriors hid remarkable resilience.
Agatha (Aggie) Mundeen, Meredith's
middle-aged classmate at University of the Holy Trinity, displays
wry humor that belies her tragic past. Meredith notices her in
class:
From Page 116: The woman who sat in Meredith's
row near the window did not match the other students. Meredith
guessed she [Aggie] was approaching forty. Her blackish hair,
parted in the middle, puffed downward and covered her ears, immobile,
like a Brillo pad. Her turquoise, crocodile eyes, heavy-lidded
and puffy underneath, darted stealthily around the room….She wore
a nylon turquoise warm-up, trimmed with a shade of wine that screamed
at her lips and nails. She sat with a sneaker-clad foot crossed
over her knee, evaluating the professor. "Okay," said her body
language, "show me something."
Later, Aggie tries to study, but her thoughts return to Meredith.
From Page 160: I met her [Meredith] only
four days after Conrad disappeared, but here she is, going to
graduate school, of all things….Maybe what happened didn't sink
in.
Is it possible Meredith doesn't want Conrad to show up? Maybe
she knows he won't show up. Maybe the phone call story is a lie.
Isn't Meredith the only one who knows anything about it? The phone
company has a record of the call, but nobody really knows why
Conrad called her or what they said….
Q 4. What about villains? You seem to
have a fascination with sociopaths.
Ans. I do. I'm fascinated by these
charming, smart, believable, people who appear to have it all,
but who suffer from bizarre personality disorders. Although I
wrote NINE DAYS TO EVIL primarily to entertain people,
I wanted the book to give readers a bonus of learning to recognize
people with sociopathic personalities. As Dr. George Paul points
out in his review on Dr. Aggrawal's site, "the novel slips into
more of a demonstrative - casebook." Movie actress, Mary Astor,
accomplished a similar result with her novel, The Incredible
Charlie Carewe.
Q 5. How do you distinguish between sociopaths
and psychopaths? Aren't serial killers and rapists psychopaths?
Ans. Usually, yes. Let's eavesdrop
as Meredith and Aggie listen to Professor Sammis's lecture.
Page 123: "We are going to start our study
of abnormal psychology by looking at people who exhibit the most
enigmatic of psychiatric disorders. They are referred to as psychopaths,
sociopaths, or as having antisocial personalities. As Dr. Hervey
Cleckley points out in The Mask of Sanity, sociopaths
vary in the type and severity of their disorder…. While the large
majority of sociopaths suffer from a disability greater than many
institutionalized psychotic patients, many are able to stay outside
legal and institutional systems…. The most severely disabled patients,
frequently referred to as psychopaths, frequently exhibit violent
behavior…."
As Cleckley points out, it's a matter of degree. Sociopaths and
psychopaths are frequently lumped together as having Antisocial
Personality Disorder because they exhibit similar behavior patterns.
The most severely disabled can be more prone to violence. However,
there is no sharp delineation between these two classifications;
violence always looms as a possibility.
Dr. Cleckley's revealing book debuted in 1982. Patients who exhibit
behavior patterns that Cleckley described are currently designated
as sociopaths who have Antisocial Personality Disorder. Some are
violent; some are not.
Q. 6. How did you learn about psychopaths
and sociopaths?
Ans. After I studied Dr. Hervey Cleckley's
classic book, The Mask of Sanity, I read Mary Astor's
book. Then I researched the topic online. As of October 17, 2005,
Google listed 12,300 references for "Sociopath Classification."
After the debut of the popular film, Catch Me If You Can,
a slew of new books appeared describing sociopathic personalities.
However, from the time Cleckley wrote his book to the present,
no treatments or cures have proven effective in permanently altering
the characteristics of people who exhibit this disorder.
Another great source for my novel, NINE DAYS TO EVIL, was
Shakespeare's tragedy, Othello. Shakespeare was
incredibly perceptive about the human psyche. In Othello,
the way he reveals evil through his villain, Iago, is fascinating.
Meredith Laughlin is studying Othello in graduate
school when evil interrupts her life. She sees her own dilemma
mirrored in Shakespeare's play. What she learns helps her devise
a plan she hopes will save her life.
Q 7. Was NINE DAYS TO EVIL your first
book or have you written others?
Ans. I previously wrote nonfiction:
JOSE VIVES-ATSARA: HIS LIFE AND HIS ART and BOOK PUBLISHING
IN TEXAS. I wrote and edited articles for Book Publishers
of Texas's quarterly journal. BPT was the trade association I
founded for Texas book publishers.
My magazine articles appeared in Texas Libraries, Texas
Business, Southwest Art, Resident Physician,
San Antonio Magazine, and SA Scene. My poem, "Time
to Lie," written for Theme and Variations, debuted on USA's
National Public Radio. If you count poems I wrote to my mother
from age seven and a poem published in high school, I've been
writing forever.
When I decided to write fiction, after graduating with a business
degree, I returned to school, earned an MA in English, and read
every book I could find on the craft of writing fiction. I listed
and described the books I found most helpful on my website under
"Books for Writers." Every time I discovered one of those books,
I wanted to revise my novel again.
Q 8. Are you pleased with the response
to NINE
DAYS TO EVIL?
Ans. In addition to reviews posted
on Dr. Anil Aggrawal's fascinating site, I've been blessed with
many great reviews [links
to complete reviews are on the home page of her website].
Shelley Godowski, Senior Reviewer for Midwest Book Review
wrote, "West intertwines good and evil in a ghostly dance, even
as she clearly delineates her characters. The action is nonstop,
and West is careful to peel the layers of evil with a practiced
eye….Nancy Glass West is a wise woman with a knack for suspense."
G. Miki Hayden, Macavity Award Winner for Writing the Mystery,
wrote, "Nancy Glass West spins out a chilling tale in an engrossing,
compelling style."
I was thrilled when the novel won The Blether Gold Award.
Q 9. Do you have more mystery novels
planned?
Ans. Definitely. As I wrote NINE
DAYS TO EVIL, Meredith's older graduate school friend, Aggie
Mundeen, popped into my head until she convinced me I had to tell
her story. This is how an author becomes fascinated with a character's
personality and has to devise a plot to highlight her foibles.
The result is FOREVER FATAL.
Aggie, Meredith, and Detective Sam are the main characters in
NINE DAYS TO EVIL. They reappear in FOREVER FATAL,
which is told from Aggie's point of view. Because Aggie shares
traits with "Miss Congeniality" and with Jessica Fletcher, the
amateur sleuth in the TV series "Murder, She Wrote,"
Aggie's story is lighter and more humorous than Meredith's story.
In the next book after FOREVER FATAL, Aggie coerces Meredith
and Sam into vacationing at a Texas dude ranch. Since none of
them is proficient in outdoor Texas living, they embroil themselves
in outlandish events. Then "home on the range" means murder.
In a future book, Aggie will entice Meredith and Detective Sam
to accompany her on a cruise. The three will be like fish out
of water, especially when the ship's celebrity becomes "man overboard."
Detective Sam will eventually have to deal with an old villain,
while Meredith and Aggie continue to make their disruptive presence
known. I like these people; it will be a long time before I let
them go.
Q 10. How much writing success is due
to luck, perseverance, or talent?
Ans.
Luck is essential in getting the right piece of work to the right
agent or editor. Perseverance is key. If a writer constantly works
to improve his or her writing, she will succeed when she develops
sufficient skill to draw readers into her fictional world and
hold them to the end of a story. Talent may be simply a fascination
with stories and language-fascination strong enough to keep a
writer happily spending hours reworking plots, deepening characters,
and re-crafting sentences. Perhaps talent is simply a sensitive
inner ear that tells a writer when something works.
Q 11. What is your favorite dish, book,
movie star, or person?
Ans. Three of my favorite books are
To Kill a Mockingbird, made into a film starring
Gregory Peck; Michael Connelly's Blood Work, a mystery
novel made into a film starring Clint Eastwood; and Pat Conroy's
The Prince of Tides, which also became a film.
Q 12. What do you dislike most?
Ans. People who fail to realize that
their talents, family background, wealth -even their ability to
succeed-are gifts from God, not circumstances entirely of their
own making.
Q 13. What do you consider your biggest
achievement in life? What has been your biggest failure/disappointment?
Ans. My biggest achievements are
knowing my husband is glad he married me and that we raised independent
children. My biggest failure/disappointment is that I didn't write
fiction earlier.
Q 14. If you were marooned on a desert
island, who/what would you like to be marooned with and why?
Ans. My husband. Together, we could
figure a way to escape. If not, we could spend our last time together.
It would be even better if the island had a library.
Q 15. If you were allowed a choice to
live in one era of time (past, present or future), which one would
you chose and why?
Ans. The near future, hopefully after
peace comes to the Middle East. There are so many daily discoveries
to marvel over, particularly in the medical field.
Q 16. What do you do in your spare time?
Your hobbies, interests?
Ans. Family, friends, reading, enjoying
music, playing piano and guitar, and tiling tabletops. I also
exercise regularly, but I can't say I always enjoy it. Writing
gives me the most pleasure.
Q 17. If a youngster of about 12-13 years
wanted to take up writing novels as a career, how should he proceed?
Ans. Read one book after the other.
Slip a classic novel in among contemporary books—expose yourself
to their richer language—but read whatever interests you. If you
love a book, reread it looking for techniques the author uses
to construct the story: How does the author begin the book? Is
each chapter told by a different person or is the story told by
a single person? Decide which method you like and what advantages
it has. Does action take place first, then reflection? Notice
how the author creates scenes, builds suspense, writes dialogue,
and demonstrates how characters change as the book develops. How
does the author end the book?
Read the books on writing listed on my website. Search libraries
and bookstores for others.
Keep a weekly journal of events, people and sights that INTRIGUE
you. Do not include minutia that are routine to daily living.
Try to find a career that fascinates you and pursue it diligently.
What you learn in any field will inform your writing. Writing,
by itself, doesn't usually pay the rent, especially if you limit
your writing to your personal ruminations.
Write because you love it more than anything else you do. Write
because you have to.
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To read reviews of West's novels, more of
her thoughts on writing, and her descriptions of inspiring books
for writers, especially Christopher Vogler's The Writer's Journey,
and Jack Bickham's Scene and Structure, or to contact the
author, visit other pages of her website: www.nancygwest.com.
You
can also read the first chapter of FOREVER FATAL and check
for the publication date.
NINE DAYS TO EVIL is available at BookSense.com
(lists a store near you), Amazon.com
or BarnesandNoble.com .
Nancy loves hearing from readers. Email her at intrigue101@sbcglobal.net
.